05 Apr 2022 (Last Modified 15 Sep 2022)
While Listening to the LRB Podcast I heard a promotion for a guided tour through some Greek and Latin. The offer cost too much. You pay for access to the podcasts and a new version of Emily Wilson’s chosen editions. The idea, however, was attractive. This page chronicles my discovering the classics. Prior to this, I knew little about their content, less about their context, and even less about their influence.
May 2022 I watched Eric Lutrell’s lecture. The YouTube lecture was interesting when he discussed the evolution of our conception of an epic, but his description of the story didn’t grab me. It was too allusive. I started to read Sophus Helle’s new translation. That book’s introduction is very interesting, but the story didn’t grab me as much.
Next Stpes
Feb 2022: I began with Caroline Alexander’s translation of the Iliad and the Trojan War Podcast. This podcast covers the Epic Cycle up to the Odyssey. At the same time I read Song of Achilles by Madeline Miller. (I read Circe about 5 years ago when I had no deep understanding of the Epic Cycle and my frame of reference was the Wishbone episode.)
May 2022 I read Colleen McCullough’s The Song of Troy. It is a modern retelling in the sense that there is more realpolitik rather than humans following fate’s path. Achilles for example, has visions of his mother while he has seizures. The rift between Agamemmnon and Achilles is described as a ploy to lure Hector out of Troy rather than an clash for honor. I then read Claire Haywood’s Daughters of Sparta.
Jun 2022 I read Simone Weil’s monograph, Iliad or the Poem of Force (citation). I also started Richard Lattimore’s translation and associated commentary by Malcolm Wilcox.
Jul 2022 I’m fitfully readhing Lattimore’s translation and Wilcox’s commentary. I started reading Pat Barker’s Silence of the Girls
Next Steps
Mar 2022: I read Emily Wilson’s translation. I found the Odyssey much easier to read than the Iliad. Perhaps it’s the subject material. Perhaps Emily Wilson’s translation.
Mar-Apr 2022: I read Shadi Bartch’s translation and listening to Susanna Braund’s Podcast from Stanford.I had read parts of Books I and II in Roma Aeterna and discussed it in Schola Latina. I didn’t appreciate the link between Dante going to Hell and Virgil going to the Underworld until I read the translation and listen to the podcast. The excerpts I read before didn’t cover the latter half of the Aeneid.
Sep 2022- I am reading John Dryden’s translation. I very much like its flow and his lexicon.
Next Steps
Apr 2022: After reading the Aeneid in English I decided to continue chronologically rather than spreading out geographically (e.g., to Indian Classical Literature). I chose Dante’s trilogy because (1) Dante invokes Virgil as his guide and (2) I understand the journey into the underworld and its context better after reading the Odyssey followed by the Aeneid. I began by reading Allen Mandelbaum’s translation. I stopped reading the book after a month. The writing didn’t grab me, although it flowed nicely. And, I dislike writing that is so allusive and referential that it is hard to get through a sentence without a commentary. To me, works of that type come off as obfuscatory or just plain showing off.
Jul 2022: I watched the Mythology & Fiction Explained summary.
Aug 2022: I started reading Alaistair Folwer’s annotated version of Paradise Lost. I came to this version because Harold Bloom recommended it in Take Arms Against A Sea of Troubles.
Summary from Mythology & Fiction Explained.